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20 Writerly Questions

Tue, Jun. 14th
2011
20 Writerly Questions for Haley Tanner

Vaclav & Lena

Q: How would you summarize your book in one sentence?

A: Vaclav & Lena is the story of two children growing up in the Russian émigré community of Brighton Beach who lose each other, find each other again, fall in love, and together must navigate a complicated and treacherous past.

Q: How long did it take you to write this book?

A: I think it took three years - I was working a lot, and it was pushed aside many times - times when I had to work more towards paying my rent.

Q: Where is your favorite place to write?

A: I can and do write anywhere - I haven’t always had the luxury of a nice quiet desk, so I’ve written in my car, on the subway, and in crowded restaurants. If I could write anywhere? On a big comfy chair with my dogs napping in the same room.

Q: How do you choose your characters’ names?

A: Most of them come with names - sometimes the name is first. Vaclav is named after Vaclav Havel - ever since I was little I loved that in a country far far away there was a poet who became the president.

Q: How many drafts do you go through?

A: I’ve done a few rounds of editing on this book, but I don’t draft very much.

Q: If there was one book you wish you had written what would it be?

A: Even Cowgirls Get the Blues by Tom Robbins, without a doubt. I wish I had written all of his books. I wish he would write my books.

Q: If your book were to become a movie, who would you like to see star in it?

A: I would love to see teenagers who have never acted before, who didn’t grow up in Hollywood - it would be amazing to see actual Russian immigrants play Vaclav and Lena. I think Drea de Matteo would make an excellent Ekaterina.

Q: What’s your favourite city in the world?

A: New York. Specifically Brooklyn. I’m completely addicted to it.

Q: If you could talk to any writer living or dead who would it be, and what would you ask?

A: I would want to talk to J.D. Salinger. I’d ask him to indulge me and have a conversation about the Glass family as if they were all real people that we both knew. I just want to gossip with him about Franny and Boo Boo.

Q: Do you listen to music while you write? If so, what kind?

A: I do! I have to listen to something that I know really well, otherwise I’m distracted by the lyrics. I love to choose music to set the tone of the scene as I’m writing it - and I love songwriters who play around with language - so when I take a break from writing, and sit back, I’m inspired to use words in a fresh way when I get back to the page. My favorites for writing are Regina Spektor, Paul Simon, and Leonard Cohen.

Q: Who is the first person who gets to you read your manuscript?

A: Usually my best friend, Julie Sarkissian, who is a brilliant writer herself, and my dad, who is an excellent reader.

Q: Do you have a guilty pleasure read?

A: I don’t think any reading should be a guilty pleasure! Really and truly.

Q: What’s on your nightstand right now?

A: The Imaginations of Unreasonable Men: Inspiration, Vision and Purpose in the Quest to End Malaria by Bill Shore, and J.D. Salinger’s Raise High The Roofbeams Carpenters and Seymour an Introduction, which I am reading for the millionth time.

Q: What is the first book you remember reading?

A: My parents read me wonderful children’s books, and I remember those vividly, but the first book I remember staying up all night to finish was Roald Dahl’s Matilda.

Q: Did you always want to be a writer?

A: Yes.

Q: What do you drink or eat while you write?

A: I’ll drink or eat anything while I write. Pickles are almost my favorite thing in the world. I always need a glass of water, but I can’t say I’ve never written with a cup of coffee or a whiskey by my side. I do, however, frown upon drinking and writing. Writing is a job, and you should never show up to work more than a little bit drunk. Unless you’re a surgeon, then you shouldn’t be even a little bit drunk.

Q: Typewriter, laptop, or pen & paper?

A: Laptop and many pens and notebooks. I type directly on my laptop, but sometimes it seems my mind needs to do some big scrawly handwriting to get things flowing. I also make complicated maps and timelines on paper - mostly to procrastinate when I should be writing a hard scene.

Q: What did you do immediately after hearing that you were being published for the very first time?

A: I hung up the phone, shaking, and hugged my husband, Gavin. I had been on the phone with my agent, and taking notes on a notepad, and he was standing behind me, reading along. He was beside himself - he was so excited. He actually lifted me up in the air. I was in my pajamas. Then I called my parents to meet us for drinks so I could tell them in person. They thought I was going to tell them I was pregnant. They were so excited, and relieved, and we had an amazing dinner.

Q: How do you decide which narrative point of view to write from?

A: It just happened. In retrospect, I chose a quite annoying little situation - a third person limited omniscient narrator whose voice is occasionally (unavoidably) infected with the accent of the nearest character.

Q: What is the best gift someone could give a writer?

A: Oh, such a good question! Same thing everyone needs - unconditional love. It’s scary when you put yourself out there on the page. It’s nice to have someone who will love you even when your writing is crap. Also books. No one ever gives me books! I think they think I have all the books I need. I don’t! And I wouldn’t say no to a bottle of whiskey, either.

 

Click here to read an excerpt from Vaclav & Lena by Haley Tanner.

20 Writerly Questions

 

 

 

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Thu, May. 19th
2011
20 Writerly Questions for Roberta Rich

The Midwife of Venice by Roberta Rich

1. How would you summarize your book in one sentence?

The Midwife of Venice is the story a 16th century woman with poor impulse control who risks her life and the lives of the entire Jewish ghetto to save the man she loves.
 

2. How long did it take you to write this book?

The first draft - no time at all - maybe seven months. The 15th, 16th, 17th and 18th drafts quite a bit longer.
 

3. Where is your favourite place to write?

In my estudio in Colima, Mexico with the hummingbirds dive-bombing the wild hibiscus outside the window and the vanilla vines doing lascivious things to the white stucco walls.
 

4. How do you choose your characters’ names?

I love names and collect them as I hear them. I slot them into a file - called - wait for it - ‘Good Names’. When I develop a new character this is the first place I go.
 

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Tue, Mar. 15th
2011
How do you choose your characters’ names?

In January we asked a few of our authors what they had on their nightstands. This month, we talked to Don Winslow, Jamie Zeppa, Cynthia Holz and Paula McLain about how they named the characters in their new novels.

Shibumi by Don Winslow

I hate coming up with character names. I wish we could just number them. I often consult book indexes. - Don Winlsow, author of Shibumi

I googled popular names by decade, looking for ones that sounded like my characters. In the beginning, everyone’s name started with a D, which made all my early readers crazy. - Jamie Zeppa, author of Every Time We Say Goodbye

Sometimes a name pops up at the same time a character comes into focus, and sometimes I use the name of a dead friend or relative, but mostly I try out many different names till one sounds exactly right. - Cynthia Holz, author of Benevolence

With this novel, they came ready made, thankfully. Usually it’s a painstaking and awkward process, where everything feels silly or random until I settle on something. But by the end of the process, the character does come to grow into that name, or vice versa. - Paula McLain, author of The Paris Wife

Want to learn more about the reading and writing habits of our authors? Check out our
20 Writerly Questions feature!

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Mon, Jan. 17th
2011
What’s On Your Nightstand?

What are Andrew Pyper, Jane Johnson, Nicolas Dickner and Tom Rachman reading now that their books are finished? We asked them: What’s on your nightstand?

The Guardians by Andrew Pyper

A Field Guide to Demons. – Andrew Pyper, author of The Guardians.

The Salt Road by Jane Johnson

A bit of a tottering pile! I’m happily rereading A Game of Thrones by George RR Martin (which I published in 1994) ahead of the big Sky dramatization in spring 2011; a biography of Charles II; the diary of John Evelyn; and A New History of the Crusades by Christopher Tyerman. – Jane Johnson, author of The Salt Road

The Imperfectionists by Tom Rachman

Ill Fares the Land by Tony Judt and Silas Marner by George Eliot.
– Tom Rachman, author of The Imperfectionists

Apocalypse for Beginners by Nicolas Dickner

The imposing Mordecai: The Life & Times by Charles Foran. (My nightstand is actually leaning.) I’m also rereading A Study in Scarlet by Arthur Conan Doyle, before viewing the BBC redux. And Deep Café by Malcolm Reid, a book about Leonard Cohen and the counterculture in Montréal in the mid-sixties.
– Nicolas Dickner, author of Apocalypse for Beginners.

Want to learn more about the reading and writing habits of our authors? Check out our
20 Writerly Questions feature!

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